弗朗西斯科·哈耶兹

弗朗西斯科·哈耶兹（義大利語：Francesco Hayez 義大利語：[franˈtʃesko ˈaːjets]；1791年2月10日—1882年2月12日），是一位意大利画家。他被认为是米兰19世纪中期浪漫主义的主要艺术家之一，并以其宏伟的历史画、政治寓言和肖像画而闻名^[1]。

71岁自画像
Reclining Odalisque (1839)
Portrait of Gian Giacomo Poldi Pezzoli
Destruction of Temple of Jerusalem (1867)
Crusaders Thirsting near Jerusalem (1836–1850)
Refugees of Parga (1831)
Scene from Byron's drama The Two Foscari (Antonio Bernocchi family collection, today in the Museum of Fondazione Cariplo)
Sicilian Vespers scene 1 (1821–22)
Sicilian Vespers scene 3 (1821–22)
Meeting of Esau and Jacob
New Favorite in Harem
Portrait, Ballerina Carlotta Chabert as Venus (1830)
路得 (1835)
Odalisque (1867)
Susanna at her Bath (1859)
Nude Bather
Odalisque with Book (1866)
The Meditation (1851)
Ciociara^[2]
Samson and the Lion (1842)
Portrait, Matilde Juva-Branca (1851)
Portrait, Princess di Sant' Antimo (1840–1844)
Portrait, Antonietta Tarsis Basilico (1851)
Portrait, Felicina Caglio Perego di Cremnago (1842)
Portrait, Antonietta Vitali Sola (1823)
Portrait, Antonio Rosmini (1835)
Portrait, Camillo Benso, Conte of Cavour (1864)
Portrait, Massimo d'Azeglio (1860)
Portrait, Alessandro Manzoni (1841)
Portrait, Conte Ninni (1823)
Levite Ephraim (1842–1844)
《胜利的运动员》(1813)
《复仇三联画：复仇誓言》 (1851)
《复仇三联画：秘密指控》 (1847–1848)
《复仇三联画：对手的复仇》 (1853)

延伸阅读编辑

M. Albertario, Lettere dalla periferia dell'Impero. Enrico Banzolini e Francesco Hayez, in Musei lombardi a tre colori. Materiali tra arte e storia, Torino 2012, pp. 41–69.

^ PITTORI e SCULTORI ITALIANI. [2021-12-12]. （原始内容存档于2021-12-13）.
^ A derogatory term used in Rome in the nineteenth century to ridicule the poor shepherds of the mountain regions; the term was then used by the painters of the time for their portraits.