English: Portrait of the Portuguese soldier and navigator Fernando de Magallanes (1480-1521). This portrait is a cut-out variant of the copy that is kept in the Naval Museum of Madrid; the original, according to Vargas Ponce, was in 1787 in the house of the canon of the cathedral of Toledo Felipe Vallejo; it was from that painting that Fernando Selma took the engraving that appears in the Relationship of the last trip to Magellan (Madrid, 1788). The origin of these three works is possibly in a 16th-century painting that existed in the gallery of the Duke of Florence, attributed to the school of Ángel Broncino.